the rubber gun marches to the gonzo beat of its filmmakers and players, the montreal guerrilla ensemble of allan (bozo) moyle, stephen lack, frank vitale and the late peter brawley. a farcical deployment into montreal’s drug and bohemian subcultures, the rubber gun, about an ill-fated heist, is the last chapter of this group’s canon, beginning with montreal main (1974) and followed by east end hustle (1976) — which was presented at last year’s fantasia fest.
moyle, lack, vitale and brawley — among others in their coterie — were credited for breathing new life into an often-moribund canadian movie scene in the ‘70s. mavericks to be sure, they were unforgettable characters both on and off screen and brought atmospheric-high energy levels to match their out-of-control imaginations. in the rubber gun, they didn’t even bother changing their real names on screen, which gave the film an eerie yet credible documentary-like feel. moyle directed and also starred along with lack and brawley, while vitale, who had previously directed montreal main and east end hustle, served as cinematographer here.
it’s worth noting that moyle would go on to hollywood to direct times square (1980) and pump up the volume (1990). lack, now living in upstate new york, would make chilling waves in his buddy david cronenberg’s horror hits scanners and dead ringers, but has also established himself as a major artist. vitale, also living in upstate new york, still churns out small indie films. brawley, also a poet, never left montreal and passed away in 2006.